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Nostalgia, Masculinist Discourse, and Authoritarianism in John Williams' Scores for Star Wars and Close Encounters of the Third Kind Neil Lerner
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The Transmolecularisation of Folk: Space is the Place, Sun Ra and Afrofuturism Nabeel Zuberi Hooked on Aetherophonics: The Day The Earth Stood Still Rebecca LeydonĪtomic Overtones and Pri1nitive Undertones: Akira Ifukube' s Sound Design for Godzilla Shuhei Hosokawaįorbidden Planet: Effects and Affects in the Electro Avant Garde Rebecca Leydon Sci Fidelity - Music, Sound and Genre History Philip Hayward Bhd., 48000 Rawang, Selangor Darul Ehsan. Printed in Malaysia by Vivar Printing Sdn. Unauthorised duplication contravenes applicable laws. Published by John Libbey Publishing, Box 276, Eastleigh SO50 SYS, UK e-mail: web site: Distributed in North America by Indiana University Press, 601 North Morton Street, Bloomington, © 2004 Copyright the authors. Science Fiction Cinemaĭesign and Setting by John Libbey Publishing Front Cover design: Ross Tesoriero Off the Planet: Music, Sound and Science Fiction Cinema. THE PLANET Music, Sound and Science Fiction Cineina Edited by Philip Hayward In memory of my grandfather Victor Hayward (who was employed as a cinema projectionist in London before going on to work with De Havillands on their Comet Racer plane in the 1930s about the nearest you could get to Sci-Fi at that time) EDWIN WILLIAM CURTIN & IRENE ELIZABETH CURTIN